The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more.

A 23-year-old man was tried for choosing poetry as his life's work. His poems and translations were professional. Many people thought so, but not literary officials. It was published sparingly. But in his place could be any talented or simply capable young man who chose the difficult path of serving the muses. Not only then, but now the young have a hard time. Who will take on the role of an arbitrator passing sentence: a poet is not a poet, an artist is not an artist? Maybe the artist has looked into the future, is incomprehensible to contemporaries, is not recognized by them, so what is to judge him?

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A cinematic portrait of the actress and performer Vija Armane.

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Peter J. Reilly interviews guests about tax related issues.

A interview with Roy Disney.

Karol sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Karol's tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Karol starts to seek his longing mother who moved out, in a meanwhile, not giving any address.

A bloody little short challenging today's views on body politics.